BEGIN:VCALENDAR VERSION:2.0 PRODID:-//TAMU//NONSGML v1.0//EN X-WR-CALNAME:TAMU Events BEGIN:VEVENT DTSTART;VALUE=DATE:20240328 DTEND;VALUE=DATE:20240329 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:
From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240328 DTEND;VALUE=DATE:20240329 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240328T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240328 DTEND;VALUE=DATE:20240329 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240328T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240328 DTEND;VALUE=DATE:20240329 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240328T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240328 DTEND;VALUE=DATE:20240329 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240328T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240328 DTEND;VALUE=DATE:20240329 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240328T140000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART:20240328T223000Z DTEND:20240328T233000Z LOCATION:J. Wayne Stark Galleries SUMMARY:"The Art of Texas State Parks" Gallery Reception & Book Signing DESCRIPTION:The compelling views in this exhibition prompt visitors to re flect on the natural beauty of public lands and their significance as pla ces of solace\, rejuvenation\, recreation\, and refuge. This is a limite d capacity event\; RSVPs are appreciated at: TX.AG/RSVPParks (http://TX.A G/RSVPParks) X-ALT-DESC;FMTTYPE=text/html:The compelling views in this exhibition prompt visitors to reflect on the natural beauty of public lands and the ir significance as places of solace\, rejuvenation\, recreation\, and ref uge.
This is a limited capacity event\; RSVPs are appreciated at: TX.AG/RSVPParks
UID:20240328T223000Z-318840@calendar.tamu.edu DTSTAMP:20240226T165445Z URL:https://calendar.tamu.edu/university-arts/event/318840-the-art-of-tex as-state-parks-gallery-reception-amp CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12228_Herrera_1920x1080.rev.1708987797.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318840 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12228_Herrera_1920x1080.rev. 1708987797.jpg X-LIVEWHALE-IMAGE-CAPTION:Hailey E. Herrera\, "View Beyond Dogwood\," Mis sion Tejas State Park\, 2020\, Watercolor Batik on Mulberry paper X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO: X-LIVEWHALE-SUMMARY:Explore the artworks in "The Art of Texas State Pa rks" while enjoying refreshments and the opportunity to purchase the comp anion book with a signing by author Linda J. Reaves.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240329 DTEND;VALUE=DATE:20240330 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240329T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240329 DTEND;VALUE=DATE:20240330 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240329 DTEND;VALUE=DATE:20240330 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240329T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240329 DTEND;VALUE=DATE:20240330 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240329T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240329 DTEND;VALUE=DATE:20240330 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240329T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240329 DTEND;VALUE=DATE:20240330 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240329T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240330 DTEND;VALUE=DATE:20240331 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240330T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240330 DTEND;VALUE=DATE:20240331 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240330 DTEND;VALUE=DATE:20240331 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240330T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240330 DTEND;VALUE=DATE:20240331 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240330T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240330 DTEND;VALUE=DATE:20240331 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240330T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240330 DTEND;VALUE=DATE:20240331 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240330T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240331 DTEND;VALUE=DATE:20240401 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240331T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240331 DTEND;VALUE=DATE:20240401 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240331 DTEND;VALUE=DATE:20240401 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240331T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240331 DTEND;VALUE=DATE:20240401 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240331T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240331 DTEND;VALUE=DATE:20240401 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240331T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240331 DTEND;VALUE=DATE:20240401 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240331T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240401 DTEND;VALUE=DATE:20240402 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240401T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240401 DTEND;VALUE=DATE:20240402 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240401 DTEND;VALUE=DATE:20240402 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240401T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240401 DTEND;VALUE=DATE:20240402 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240401T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240401 DTEND;VALUE=DATE:20240402 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240401T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240401 DTEND;VALUE=DATE:20240402 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240401T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240402 DTEND;VALUE=DATE:20240403 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240402T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240402 DTEND;VALUE=DATE:20240403 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240402 DTEND;VALUE=DATE:20240403 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240402T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240402 DTEND;VALUE=DATE:20240403 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240402T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240402 DTEND;VALUE=DATE:20240403 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240402T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240402 DTEND;VALUE=DATE:20240403 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240402T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240403 DTEND;VALUE=DATE:20240404 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240403T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240403 DTEND;VALUE=DATE:20240404 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240403 DTEND;VALUE=DATE:20240404 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240403T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240403 DTEND;VALUE=DATE:20240404 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240403T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240403 DTEND;VALUE=DATE:20240404 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240403T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240403 DTEND;VALUE=DATE:20240404 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240403T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240404 DTEND;VALUE=DATE:20240405 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240404T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240404 DTEND;VALUE=DATE:20240405 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240404 DTEND;VALUE=DATE:20240405 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240404T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240404 DTEND;VALUE=DATE:20240405 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240404T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240404 DTEND;VALUE=DATE:20240405 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240404T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240404 DTEND;VALUE=DATE:20240405 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240404T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240405 DTEND;VALUE=DATE:20240406 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240405T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240405 DTEND;VALUE=DATE:20240406 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240405 DTEND;VALUE=DATE:20240406 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240405T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240405 DTEND;VALUE=DATE:20240406 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240405T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240405 DTEND;VALUE=DATE:20240406 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240405T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240405 DTEND;VALUE=DATE:20240406 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240405T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240406 DTEND;VALUE=DATE:20240407 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240406T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240406 DTEND;VALUE=DATE:20240407 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240406 DTEND;VALUE=DATE:20240407 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240406T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240406 DTEND;VALUE=DATE:20240407 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240406T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240406 DTEND;VALUE=DATE:20240407 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240406T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240406 DTEND;VALUE=DATE:20240407 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240406T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240407 DTEND;VALUE=DATE:20240408 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240407T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240407 DTEND;VALUE=DATE:20240408 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240407 DTEND;VALUE=DATE:20240408 LOCATION:Education Gallery\, J.Wayne Stark Galleries\, Memorial Student C enter. GEO:30.612428;-96.341248 SUMMARY:The Toll of Texas Roads on Turtles and Snakes DESCRIPTION:Every day\, millions of animals are killed by cars. Snakes an d turtles are especially vulnerable. Though Texas is home to more reptile species than any other state\, roads are a leading cause of their declin e. \;This exhibition is curated by Amanda Stronza\, professor in Ecol ogy and Conservations Biology\, photographer and conservationist\; Lee A. Fitzgerald\, professor in Ecology and Conservations Biology\, conservati onist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist\ , illustrator\, art educator and artist for conservation. X-ALT-DESC;FMTTYPE=text/html:Every da y\, millions of animals are killed by cars. Snakes and turtles are especi ally vulnerable. Though Texas is home to more reptile species than any ot her state\, roads are a leading cause of their decline. \;
This exhibition is curated by Amanda Stronza\, professor in Eco logy and Conservations Biology\, photographer and conservationist\; Lee A . Fitzgerald\, professor in Ecology and Conservations Biology\, conservat ionist and herpetologist\; and Rachel Ivanyi\, contemporary nature artist \, illustrator\, art educator and artist for conservation.
UID:20240407T050000Z-318709@calendar.tamu.edu DTSTAMP:20240226T151211Z URL:https://calendar.tamu.edu/university-arts/event/318709-the-toll-of-te xas-roads-on-turtles-and-snakes CATEGORIES:Arts & Entertainment,Campus Life,General Interest,Open Houses & Receptions LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12223_Snakes_1920x1080.rev.1708981763.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318709 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12223_Snakes_1920x1080.rev.1 708981763.jpg X-LIVEWHALE-IMAGE-CAPTION:\n Prairie Kingsnake ©Amanda Stronza 2022\n
X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/TXRo ads\n
X-LIVEWHALE-SUMMARY:\n March 5–Apr il 7: With photographs\, art\, and science\, viewers are invited to appre ciate the beauty and diversity of reptiles in Texas\, to see how delicate reptile bodies are\, and to learn how roads imperil so many.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240407 DTEND;VALUE=DATE:20240408 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240407T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240407 DTEND;VALUE=DATE:20240408 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240407T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240407 DTEND;VALUE=DATE:20240408 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240407T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240408 DTEND;VALUE=DATE:20240409 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240408T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240408 DTEND;VALUE=DATE:20240409 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240408 DTEND;VALUE=DATE:20240409 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240408T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240408 DTEND;VALUE=DATE:20240409 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240408T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240408 DTEND;VALUE=DATE:20240409 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240408T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240409 DTEND;VALUE=DATE:20240410 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240409T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240409 DTEND;VALUE=DATE:20240410 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240409 DTEND;VALUE=DATE:20240410 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240409T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240409 DTEND;VALUE=DATE:20240410 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240409T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240409 DTEND;VALUE=DATE:20240410 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240409T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240410 DTEND;VALUE=DATE:20240411 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240410T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240410 DTEND;VALUE=DATE:20240411 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240410 DTEND;VALUE=DATE:20240411 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240410T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240410 DTEND;VALUE=DATE:20240411 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240410T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240410 DTEND;VALUE=DATE:20240411 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240410T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240411 DTEND;VALUE=DATE:20240412 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240411T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240411 DTEND;VALUE=DATE:20240412 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240411 DTEND;VALUE=DATE:20240412 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240411T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240411 DTEND;VALUE=DATE:20240412 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240411T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240411 DTEND;VALUE=DATE:20240412 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240411T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240412 DTEND;VALUE=DATE:20240413 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240412T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240412 DTEND;VALUE=DATE:20240413 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240412 DTEND;VALUE=DATE:20240413 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240412T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240412 DTEND;VALUE=DATE:20240413 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240412T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240412 DTEND;VALUE=DATE:20240413 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240412T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240413 DTEND;VALUE=DATE:20240414 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240413T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240413 DTEND;VALUE=DATE:20240414 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240413 DTEND;VALUE=DATE:20240414 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240413T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240413 DTEND;VALUE=DATE:20240414 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240413T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240413 DTEND;VALUE=DATE:20240414 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240413T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240414 DTEND;VALUE=DATE:20240415 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240414T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240414 DTEND;VALUE=DATE:20240415 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240414 DTEND;VALUE=DATE:20240415 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240414T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240414 DTEND;VALUE=DATE:20240415 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240414T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240414 DTEND;VALUE=DATE:20240415 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240414T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240415 DTEND;VALUE=DATE:20240416 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240415T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240415 DTEND;VALUE=DATE:20240416 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240415 DTEND;VALUE=DATE:20240416 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240415T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240415 DTEND;VALUE=DATE:20240416 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240415T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240415 DTEND;VALUE=DATE:20240416 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240415T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240416 DTEND;VALUE=DATE:20240417 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240416T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240416 DTEND;VALUE=DATE:20240417 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240416 DTEND;VALUE=DATE:20240417 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240416T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240416 DTEND;VALUE=DATE:20240417 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240416T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240416 DTEND;VALUE=DATE:20240417 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240416T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240417 DTEND;VALUE=DATE:20240418 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240417T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240417 DTEND;VALUE=DATE:20240418 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240417 DTEND;VALUE=DATE:20240418 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240417T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240417 DTEND;VALUE=DATE:20240418 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240417T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240417 DTEND;VALUE=DATE:20240418 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240417T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240418 DTEND;VALUE=DATE:20240419 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240418T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240418 DTEND;VALUE=DATE:20240419 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240418 DTEND;VALUE=DATE:20240419 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240418T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240418 DTEND;VALUE=DATE:20240419 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240418T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240418 DTEND;VALUE=DATE:20240419 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240418T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240419 DTEND;VALUE=DATE:20240420 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240419T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240419 DTEND;VALUE=DATE:20240420 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240419 DTEND;VALUE=DATE:20240420 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240419T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240419 DTEND;VALUE=DATE:20240420 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240419T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240419 DTEND;VALUE=DATE:20240420 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240419T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240420 DTEND;VALUE=DATE:20240421 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240420T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240420 DTEND;VALUE=DATE:20240421 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240420 DTEND;VALUE=DATE:20240421 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240420T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240420 DTEND;VALUE=DATE:20240421 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240420T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240420 DTEND;VALUE=DATE:20240421 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240420T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240421 DTEND;VALUE=DATE:20240422 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240421T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240421 DTEND;VALUE=DATE:20240422 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240421 DTEND;VALUE=DATE:20240422 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240421T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240421 DTEND;VALUE=DATE:20240422 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240421T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240421 DTEND;VALUE=DATE:20240422 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240421T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240422 DTEND;VALUE=DATE:20240423 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240422T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240422 DTEND;VALUE=DATE:20240423 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240422 DTEND;VALUE=DATE:20240423 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240422T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240422 DTEND;VALUE=DATE:20240423 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240422T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240422 DTEND;VALUE=DATE:20240423 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240422T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240423 DTEND;VALUE=DATE:20240424 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240423T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240423 DTEND;VALUE=DATE:20240424 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240423 DTEND;VALUE=DATE:20240424 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240423T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240423 DTEND;VALUE=DATE:20240424 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240423T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240423 DTEND;VALUE=DATE:20240424 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240423T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240424 DTEND;VALUE=DATE:20240425 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240424T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240424 DTEND;VALUE=DATE:20240425 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240424 DTEND;VALUE=DATE:20240425 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240424T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240424 DTEND;VALUE=DATE:20240425 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240424T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240424 DTEND;VALUE=DATE:20240425 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240424T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240425 DTEND;VALUE=DATE:20240426 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240425T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240425 DTEND;VALUE=DATE:20240426 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240425 DTEND;VALUE=DATE:20240426 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240425T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240425 DTEND;VALUE=DATE:20240426 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240425T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240425 DTEND;VALUE=DATE:20240426 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240425T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240426 DTEND;VALUE=DATE:20240427 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240426T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240426 DTEND;VALUE=DATE:20240427 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240426 DTEND;VALUE=DATE:20240427 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240426T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240426 DTEND;VALUE=DATE:20240427 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240426T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240426 DTEND;VALUE=DATE:20240427 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240426T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240427 DTEND;VALUE=DATE:20240428 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240427T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240427 DTEND;VALUE=DATE:20240428 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240427 DTEND;VALUE=DATE:20240428 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240427T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240427 DTEND;VALUE=DATE:20240428 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240427T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240427 DTEND;VALUE=DATE:20240428 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240427T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240428 DTEND;VALUE=DATE:20240429 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240428T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240428 DTEND;VALUE=DATE:20240429 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240428 DTEND;VALUE=DATE:20240429 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240428T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240428 DTEND;VALUE=DATE:20240429 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240428T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240428 DTEND;VALUE=DATE:20240429 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240428T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240429 DTEND;VALUE=DATE:20240430 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240429T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240429 DTEND;VALUE=DATE:20240430 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240429 DTEND;VALUE=DATE:20240430 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240429T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240429 DTEND;VALUE=DATE:20240430 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240429T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240429 DTEND;VALUE=DATE:20240430 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240429T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240430 DTEND;VALUE=DATE:20240501 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240430T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240430 DTEND;VALUE=DATE:20240501 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240430 DTEND;VALUE=DATE:20240501 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240430T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240430 DTEND;VALUE=DATE:20240501 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240430T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240430 DTEND;VALUE=DATE:20240501 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240430T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240501 DTEND;VALUE=DATE:20240502 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240501T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240501 DTEND;VALUE=DATE:20240502 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240501 DTEND;VALUE=DATE:20240502 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240501T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240501 DTEND;VALUE=DATE:20240502 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240501T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240501 DTEND;VALUE=DATE:20240502 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240501T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240502 DTEND;VALUE=DATE:20240503 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240502T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240502 DTEND;VALUE=DATE:20240503 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240502 DTEND;VALUE=DATE:20240503 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240502T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240502 DTEND;VALUE=DATE:20240503 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240502T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240502 DTEND;VALUE=DATE:20240503 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240502T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240503 DTEND;VALUE=DATE:20240504 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240503T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240503 DTEND;VALUE=DATE:20240504 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240503 DTEND;VALUE=DATE:20240504 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240503T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240503 DTEND;VALUE=DATE:20240504 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240503T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240503 DTEND;VALUE=DATE:20240504 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240503T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240504 DTEND;VALUE=DATE:20240505 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240504T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240504 DTEND;VALUE=DATE:20240505 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240504 DTEND;VALUE=DATE:20240505 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240504T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240504 DTEND;VALUE=DATE:20240505 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240504T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240504 DTEND;VALUE=DATE:20240505 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240504T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240505 DTEND;VALUE=DATE:20240506 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240505T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240505 DTEND;VALUE=DATE:20240506 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240505 DTEND;VALUE=DATE:20240506 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240505T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240505 DTEND;VALUE=DATE:20240506 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240505T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240505 DTEND;VALUE=DATE:20240506 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240505T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240506 DTEND;VALUE=DATE:20240507 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240506T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240506 DTEND;VALUE=DATE:20240507 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240506 DTEND;VALUE=DATE:20240507 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240506T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240506 DTEND;VALUE=DATE:20240507 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240506T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240506 DTEND;VALUE=DATE:20240507 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240506T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240507 DTEND;VALUE=DATE:20240508 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240507T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240507 DTEND;VALUE=DATE:20240508 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240507 DTEND;VALUE=DATE:20240508 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240507T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240507 DTEND;VALUE=DATE:20240508 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240507T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240507 DTEND;VALUE=DATE:20240508 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240507T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240508 DTEND;VALUE=DATE:20240509 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240508T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240508 DTEND;VALUE=DATE:20240509 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240508 DTEND;VALUE=DATE:20240509 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240508T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240508 DTEND;VALUE=DATE:20240509 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240508T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240508 DTEND;VALUE=DATE:20240509 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240508T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240509 DTEND;VALUE=DATE:20240510 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240509T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240509 DTEND;VALUE=DATE:20240510 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240509 DTEND;VALUE=DATE:20240510 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240509T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240509 DTEND;VALUE=DATE:20240510 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240509T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240509 DTEND;VALUE=DATE:20240510 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240509T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240510 DTEND;VALUE=DATE:20240511 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240510T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240510 DTEND;VALUE=DATE:20240511 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240510 DTEND;VALUE=DATE:20240511 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240510T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240510 DTEND;VALUE=DATE:20240511 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240510T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240510 DTEND;VALUE=DATE:20240511 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240510T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240511 DTEND;VALUE=DATE:20240512 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240511T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240511 DTEND;VALUE=DATE:20240512 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240511 DTEND;VALUE=DATE:20240512 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240511T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240511 DTEND;VALUE=DATE:20240512 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240511T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240511 DTEND;VALUE=DATE:20240512 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240511T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240512 DTEND;VALUE=DATE:20240513 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240512T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240512 DTEND;VALUE=DATE:20240513 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240512 DTEND;VALUE=DATE:20240513 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240512T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240512 DTEND;VALUE=DATE:20240513 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240512T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240512 DTEND;VALUE=DATE:20240513 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240512T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240513 DTEND;VALUE=DATE:20240514 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240513T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240513 DTEND;VALUE=DATE:20240514 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240513 DTEND;VALUE=DATE:20240514 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240513T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240513 DTEND;VALUE=DATE:20240514 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240513T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240513 DTEND;VALUE=DATE:20240514 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240513T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240514 DTEND;VALUE=DATE:20240515 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240514T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240514 DTEND;VALUE=DATE:20240515 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240514 DTEND;VALUE=DATE:20240515 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240514T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240514 DTEND;VALUE=DATE:20240515 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240514T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240514 DTEND;VALUE=DATE:20240515 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240514T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240515 DTEND;VALUE=DATE:20240516 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240515T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240515 DTEND;VALUE=DATE:20240516 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240515 DTEND;VALUE=DATE:20240516 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240515T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240515 DTEND;VALUE=DATE:20240516 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240515T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240515 DTEND;VALUE=DATE:20240516 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240515T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240516 DTEND;VALUE=DATE:20240517 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240516T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240516 DTEND;VALUE=DATE:20240517 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240516 DTEND;VALUE=DATE:20240517 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240516T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240516 DTEND;VALUE=DATE:20240517 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240516T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240516 DTEND;VALUE=DATE:20240517 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240516T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240517 DTEND;VALUE=DATE:20240518 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240517T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240517 DTEND;VALUE=DATE:20240518 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240517 DTEND;VALUE=DATE:20240518 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240517T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240517 DTEND;VALUE=DATE:20240518 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240517T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240517 DTEND;VALUE=DATE:20240518 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240517T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240518 DTEND;VALUE=DATE:20240519 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240518T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240518 DTEND;VALUE=DATE:20240519 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240518 DTEND;VALUE=DATE:20240519 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240518T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240518 DTEND;VALUE=DATE:20240519 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240518T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240518 DTEND;VALUE=DATE:20240519 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240518T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240519 DTEND;VALUE=DATE:20240520 LOCATION:J. Wayne Stark Galleries SUMMARY:Silhouettes & Selfies DESCRIPTION:Take a selfie alongside one of the implied action silhouettes \, or gather a group of your fellow Aggies to photograph a silent flash m ob! A bistro vignette will provide the illusion of you having a drink wit h a friend\, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the cere mony flower arch. Come join the fun! X-ALT-DESC;FMTTYPE=text/html:Take a selfie alongside one of the impl ied action silhouettes\, or gather a group of your fellow Aggies to photo graph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend\, while the garden view will set the sce ne for some work amid the flowers and plants. Celebrate a wedding from th e proposal to the ceremony flower arch. Come join the fun!
UID:20240519T050000Z-320926@calendar.tamu.edu DTSTAMP:20240322T155624Z URL:https://calendar.tamu.edu/university-arts/event/320926-silhouettes-se lfies CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240322T205705Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12538_Silhouettes_1920x1080.rev.1711140644 .jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:320926 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12538_Silhouettes_1920x1080. rev.1711140644.jpg X-LIVEWHALE-IMAGE-CAPTION:"Silhouettes &\; Selfies" in the Stark Galle ries X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Self ies\n
X-LIVEWHALE-SUMMARY:\n Organized by the Benz School of Floral Design\ , this exhibition invites visitors to take selfies in themed scenes featu ring silhouettes and botanicals. \;\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240519 DTEND;VALUE=DATE:20240520 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240519 DTEND;VALUE=DATE:20240520 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240519T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240519 DTEND;VALUE=DATE:20240520 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240519T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240519 DTEND;VALUE=DATE:20240520 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240519T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240520 DTEND;VALUE=DATE:20240521 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240520 DTEND;VALUE=DATE:20240521 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240520T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240520 DTEND;VALUE=DATE:20240521 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240520T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240520 DTEND;VALUE=DATE:20240521 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240520T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240521 DTEND;VALUE=DATE:20240522 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240521 DTEND;VALUE=DATE:20240522 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240521T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240521 DTEND;VALUE=DATE:20240522 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240521T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240521 DTEND;VALUE=DATE:20240522 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240521T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240522 DTEND;VALUE=DATE:20240523 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240522 DTEND;VALUE=DATE:20240523 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240522T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240522 DTEND;VALUE=DATE:20240523 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240522T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240522 DTEND;VALUE=DATE:20240523 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240522T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240523 DTEND;VALUE=DATE:20240524 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240523 DTEND;VALUE=DATE:20240524 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240523T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240523 DTEND;VALUE=DATE:20240524 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240523T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240523 DTEND;VALUE=DATE:20240524 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240523T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240524 DTEND;VALUE=DATE:20240525 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240524 DTEND;VALUE=DATE:20240525 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240524T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240524 DTEND;VALUE=DATE:20240525 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240524T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240524 DTEND;VALUE=DATE:20240525 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240524T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240525 DTEND;VALUE=DATE:20240526 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240525 DTEND;VALUE=DATE:20240526 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240525T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240525 DTEND;VALUE=DATE:20240526 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240525T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240525 DTEND;VALUE=DATE:20240526 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240525T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240526 DTEND;VALUE=DATE:20240527 LOCATION:J. Wayne Stark Galleries SUMMARY:The Art of Texas State Parks DESCRIPTION:From the rugged mesas of the Panhandle and the steep-sided mo untains of Big Bend Country to the waterways of the Gulf Coast and rollin g grasslands of the prairies\, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years\, the Texas Parks and Wildlife Department commi ssioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as va ried as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in t he Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Orga nized by The Meadows Center for Water and the Environment at Texas State University\, Texas Parks and Wildlife Department\, and Stark Galleries. A dditional support provided by Texas Parks and Wildlife Foundation and H-E -B.This exhibition includes work from artists such as Randy Bacon\, Mary Baxter\, David Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fi dencio Duran\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gord on Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Gu zman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. H errera\, Lee Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\ , William B. Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim S toker\, Bob Stuth-Wade\, and Terri M. Wells. \; X-ALT-DESC;FMTTYPE=text/html:From the rugged mesas of the Panhandle and the steep-si ded mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies\, visitors will journey through the di verse ecological regions of Texas as interpreted by individual artists.
In celebration of 100 years\, the Texas Parks and Wildlife Department commissioned 30 Texa s artists to depict scenes from parks\, natural areas and historic sites in the state park system. The selections on view are as varied as the par ks themselves and offer a snapshot of Texas' rich history and ecosystems.
This exhibition represents the seventh installation in th e Texas Art Project series.
Organized by The Meadows Center for Water a nd the Environment at Texas State University\, Texas Parks and Wildlife D epartment\, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.
This exh ibition includes work from artists such as Randy Bacon\, Mary Baxter\, Da vid Caton\, Charles Criner\, Margie Crisp\, Ric Dentinger\, Fidencio Dura n\, Janet Eager Krueger\, Joel R. Edwards\, Malou Flato\, Gordon Fowler\, Pat Gabriel\, David R. Griffin\, Brian Grimm\, Clemente F. Guzman III\, Karl E. Hall\, John Austin Hanna\, Billy Hassell\, Hailey E. Herrera\, Le e Jamison\, Denise LaRue Mahlke\, Jim Malone\, Talmage Minter\, William B . Montgomery\, Kermit Oliver\, Noe Perez\, Jeri Salter\, Jim Stoker\, Bob Stuth-Wade\, and Terri M. Wells.
\;
\n TX.AG/S tateParks\n
X-LIVEWHALE-SUMMARY:\n March 21–May 26: In celebration of 100 years \, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks\, natural areas and historic sites in the sta te park system. The selections on view are as varied as the parks themsel ves.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 1110 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240526 DTEND;VALUE=DATE:20240527 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240526T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240526 DTEND;VALUE=DATE:20240527 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240526T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240526 DTEND;VALUE=DATE:20240527 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240526T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240527 DTEND;VALUE=DATE:20240528 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240527T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240527 DTEND;VALUE=DATE:20240528 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240527T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240527 DTEND;VALUE=DATE:20240528 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240527T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240528 DTEND;VALUE=DATE:20240529 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240528T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240528 DTEND;VALUE=DATE:20240529 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240528T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240528 DTEND;VALUE=DATE:20240529 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240528T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240529 DTEND;VALUE=DATE:20240530 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240529T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240529 DTEND;VALUE=DATE:20240530 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240529T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240529 DTEND;VALUE=DATE:20240530 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240529T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240530 DTEND;VALUE=DATE:20240531 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240530T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240530 DTEND;VALUE=DATE:20240531 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240530T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240530 DTEND;VALUE=DATE:20240531 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240530T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240531 DTEND;VALUE=DATE:20240601 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240531T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240531 DTEND;VALUE=DATE:20240601 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240531T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240531 DTEND;VALUE=DATE:20240601 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240531T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240601 DTEND;VALUE=DATE:20240602 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240601T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240601 DTEND;VALUE=DATE:20240602 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240601T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240601 DTEND;VALUE=DATE:20240602 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240601T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240602 DTEND;VALUE=DATE:20240603 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240602T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240602 DTEND;VALUE=DATE:20240603 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240602T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240602 DTEND;VALUE=DATE:20240603 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240602T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240603 DTEND;VALUE=DATE:20240604 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240603T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240603 DTEND;VALUE=DATE:20240604 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240603T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240603 DTEND;VALUE=DATE:20240604 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240603T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240604 DTEND;VALUE=DATE:20240605 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240604T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240604 DTEND;VALUE=DATE:20240605 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240604T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240604 DTEND;VALUE=DATE:20240605 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240604T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240605 DTEND;VALUE=DATE:20240606 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240605T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240605 DTEND;VALUE=DATE:20240606 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240605T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240605 DTEND;VALUE=DATE:20240606 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240605T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240606 DTEND;VALUE=DATE:20240607 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240606T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240606 DTEND;VALUE=DATE:20240607 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240606T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240606 DTEND;VALUE=DATE:20240607 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240606T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240607 DTEND;VALUE=DATE:20240608 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240607T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240607 DTEND;VALUE=DATE:20240608 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240607T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240607 DTEND;VALUE=DATE:20240608 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240607T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240608 DTEND;VALUE=DATE:20240609 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240608T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240608 DTEND;VALUE=DATE:20240609 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240608T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240608 DTEND;VALUE=DATE:20240609 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240608T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240609 DTEND;VALUE=DATE:20240610 LOCATION:Forsyth Galleries SUMMARY:The Wit & Whimsy of Victorian Majolica DESCRIPTION:Majolica was introduced at the Great Exhibition of 1851 and q uickly became ubiquitous in Victorian England and America\, with works ap pearing in museum displays and royal palaces as well as in the homes of a verage citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of society and\, in Victorian h omes\, was commonly found in the conservatory or dining room\, in the for m of tureens and servers\, jardinières\, teapots\, garden seats\, plates \, and decorative statues. Initially popular in England and the Continen t\, many British potters and craftspeople immigrating to North America co ntributed their knowledge and skill to the growing American pottery indus try\, leading to the large-scale production of majolica. When the lead gl azes needed to achieve majolica's shine and vibrancy were outlawed as poi sonous to workers\, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design. X-ALT-DESC;FMTTYPE=text/html:Majolica was introduced at the Great Ex hibition of 1851 and quickly became ubiquitous in Victorian England and A merica\, with works appearing in museum displays and royal palaces as wel l as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain\, it was available to a fairly broad range of societ y and\, in Victorian homes\, was commonly found in the conservatory or di ning room\, in the form of tureens and servers\, jardinières\, teapots\, garden seats\, plates\, and decorative statues.
Initially popula r in England and the Continent\, many British potters and craftspeople im migrating to North America contributed their knowledge and skill to the g rowing American pottery industry\, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers\, its production all but c eased. This exhibition helps tell the story of majolica and helps to rest ore its legacy to the history of design.
UID:20240609T050000Z-319066@calendar.tamu.edu DTSTAMP:20240227T181552Z URL:https://calendar.tamu.edu/university-arts/event/319066-the-wit-whimsy -of-victorian-majolica CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240229T033244Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12255_Majolica_1920x1080_3.rev.1709177559. jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319066 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12255_Majolica_1920x1080_3.r ev.1709177559.jpg X-LIVEWHALE-IMAGE-CAPTION:Majolica from the Marion E. Byrd Collection X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/VM ajolica\n
X-LIVEWHALE-SUMMARY:Majolica was the perfect ceramic for the Victorian er a. Its rich colors\, eclectic mix of styles\, and dramatic or whimsical m odeling appealed to the 19th-century audience\, which reveled in decorative arts that displayed technical skill and elaborate design. X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240609 DTEND;VALUE=DATE:20240610 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath DESCRIPTION:Infrared imaging is a non-destructive technique used by art c onservators to examine paintings and artworks and detect hidden details u nder the upper layers such as added paint\, underdrawings\, and hidden si gnatures or watermarks. The technique has been used to discover details o f artists' creative processes\, alterations and reworking. Infrared exami nation also can be used as a tool to differentiate between certain groups of pigments and inks. X-ALT-DESC;FMTTYPE=text/html:Infrared imaging is a non-destructive t echnique used by art conservators to examine paintings and artworks and d etect hidden details under the upper layers such as added paint\, underdr awings\, and hidden signatures or watermarks. The technique has been used to discover details of artists' creative processes\, alterations and rew orking. Infrared examination also can be used as a tool to differentiate between certain groups of pigments and inks.
UID:20240609T050000Z-318845@calendar.tamu.edu DTSTAMP:20240226T195643Z URL:https://calendar.tamu.edu/university-arts/event/318845-what-lies-bene ath CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240227T235732Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12229_Beneath_1920x1080.rev.1708998841.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:318845 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12229_Beneath_1920x1080.rev. 1708998841.jpg X-LIVEWHALE-IMAGE-CAPTION:Spectral images from the permanent collections. X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:\n TX.AG/Bene ath\n
X-LIVEWHALE-SUMMARY:\n March 26–June 9: Recently\, the Forsyth took the opportunity to use spectral photography—including Ultra-Violet Flo rescence\, Infrared\, and Ultra-Violet Reflectance—to learn more about what is going on below the surface of a select group of paintings in the collection.\n
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240609 DTEND;VALUE=DATE:20240610 LOCATION:Forsyth Galleries SUMMARY:What Lies Beneath the Beads DESCRIPTION:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also looking at the symbolism of the female form across all ancient civilizations. With a twist of science \, we'll take an in-depth look\, utilizing computed tomography (CT) scans \, to discover how our Cameroonian beaded Fertility Goddesses were constr ucted and gain a better understanding of their conservation needs. Come b y and see What Lies Beneath the Beads… X-ALT-DESC;FMTTYPE=text/html:This exhibition looks to engage patrons in a short history of art in the Cameroonian culture\, while also lookin g at the symbolism of the female form across all ancient civilizations. W ith a twist of science\, we'll take an in-depth look\, utilizing computed tomography (CT) scans\, to discover how our Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their cons ervation needs. Come by and see What Lies Beneath the Beads…
UID:20240609T050000Z-319903@calendar.tamu.edu DTSTAMP:20240306T093800Z URL:https://calendar.tamu.edu/university-arts/event/319903-what-lies-bene ath-the-beads CATEGORIES:Arts & Entertainment,Campus Life,General Interest LAST-MODIFIED:20240306T153800Z ATTACH:https://calendar.tamu.edu/live/image/gid/91/width/200/height/200/c rop/1/src_region/0,0,1920,1080/12355_Beads_1920x1080_2.rev.1709739255.jpg X-LIVEWHALE-TYPE:events X-LIVEWHALE-ID:319903 X-LIVEWHALE-TIMEZONE:America/Chicago X-LIVEWHALE-IMAGE:https://calendar.tamu.edu/live/image/gid/91/width/200/h eight/200/crop/1/src_region/0\,0\,1920\,1080/12355_Beads_1920x1080_2.rev. 1709739255.jpg X-LIVEWHALE-IMAGE-CAPTION:Cameroonian Beaded Fertility Goddess X-LIVEWHALE-ALL-DAY:1 X-LIVEWHALE-COST:Free X-LIVEWHALE-CONTACT-INFO:TX.AG/Beads< /p> X-LIVEWHALE-SUMMARY:
The Forsyth uses computed tomography (CT) scans to discover how two Cameroonian beaded Fertility Goddesses were constructed and gain a better understanding of their conservation needs.
X-LIVEWHALE-TAGS:Art\, Exhibition|Art|Exhibition|Talk|UART|UniversityArt X-LIVEWHALE-CUSTOM-ROOM-NUMBER:MSC 2428 END:VEVENT END:VCALENDAR